half diminished seventh chordの例文

• This section repeats and is followed by a descending harmonic sequence starting with a-75 ( half diminished seventh chord or ?) built on the augmented fourth of the key, and descending by semitones with changes in the chord quality to the supertonic minor seventh, which forms the beginning of a more standard II-V-I progression.
• Ultimately the coda ends triumphantly in B major, with a strong evocation of Wagner's " Isoldes Liebestod . " At any rate the texture at the close is very similar to that of Liszt's transcription of the Wagner; the key is the same; and in each case the major tonic is approached by the supertonic half diminished seventh chord.